RIP, Bob May

Bob May, the voice ofthe actor who played the Robot on the 1960s' sci-fi classic Lost in Space, died Sunday in Los Angeles. He was 69. May's signature line, "Danger, Will Robinson" obscured the fact that he could also sing a bit, as evidenced by the clip above.

Sigh! Bill Melendez Checks Out

Bill Melendez, the animator who brought 'Peanuts" to life through animation and who created an animated work of art with "A Charlie Brown Christmas" died this week at age 91.

Because his much-loved 1965 animated tone-poem to childhood and the Christmas season has become a classic, it's hard to appreciate how revolutionary it was. CBS thought Melendez and Charles Schultz were the blockheads for wanting to produce a cartoon without a laugh track, a jazz soundtrack, real child actors voicing the characters and quotes from the New Testament. Melendez and Schultz got their way, and the result was a holiday classic and six Emmy Awards.

Melendez is should be remembered not just for his animation, but also for his voicing work -- when Snoopy speaks, that's Melendez's voice. Perfect.

Mike Wallace Online at the HRC

Before there was 60 Minutes, there was the The Mike Wallace Interview. Broadcast journalist Mike Wallace's interviews from the television program which ran for two seasons in 1957 and 1958, will be available online on the Web site for the Harry Ransom Humanities Research Center at The University of Texas at Austin.

You can now watch interviews with Mid-Century luminaries such as Frank Lloyd Wright, Salvador Dali and Steve Allen. The only downside is you have to download their Media Player to few these. Still, I'm going to wear that thing out. I can almost smell the cigarette smoke now.

Allan Melvin, R.I.P.

Allan Melvin, the veteran character actor best remembered as Alice's main squeeze Sam the Butcher on The Brady Bunch, went to the Big Casino a few weeks back. He was 84. For a remembrance of Melvin, check out this very thorough post on I'm Learning To Share.

In Defense of Mad Men

OK, we are two episodes into this thing and I'm starting to latch on to AMC new drama series, Mad Men. I'm getting interested in Don Draper and his philanderings and Peggy Olson's missteps trying to navigate the shark tank that is Sterling Cooper.

Of course, I dig the MCM trappings of the show. My wife and I spend a lot of our time going, "Wow, look at that!" or "Is that Wegner?" It gets a lot of the period details right. If you want to get a little of the MCM flava, check the link above for an episode 2 sneak peek (episode 3 is tomorrow at 9).

However, when I look at the comments on the Mad Men blog, it seems not everyone is latching on. More people are bitching about the amount of smoking or whether the IBM Selectric was a 1960 or a 1961. Some don't buy the story as believeable or realistic. Sez one commenter:

As the son of a Madison Ave creative director, I have to laugh. My dad worked for BBDO during this time and he says the show is complete BS, except that they got the decor of the offices right. Sure they drank and smoked, but the portrayal of how things went is totally overblown. It was an intense, high pressure job and there was alot on the line, but they didnt act that way. He also says that he NEVER heard the term "Mad Men" either. My mom was also a million times more sophisticated than the portrayal of the wife of the ad guy too. It's too bad everyone is buying this. I work in the TV biz myself, so I recognize that in an effort to "dramatize" things, a bunch of suits thought this would be good TV. Well, it seems the critics, who are probably too young to have any reference, bought it hook, line and sinker as well. Well done suits, but too bad its just another unrealistic drama...

And then there's this guy:

I worked on Madison Ave fot 2 agencies between 1953 and 1967. At one, i was part of the account team on Lorilard,(kent and newport cigarettes). Later, at Gillette was involv ed with Right Guard.
Where did mr. Weiner get his data, lots of it is not true. The staff was mostly WW2 vets, some with MBA,s from our GI bill-we worked hard, did not drink in the office and the secretary liasons were infrequent-about the same as in every company where bright, younger people work.we believed in our products and helped build the success that
these companies became. P.S-no one ever considered Right Guard as a female product-it was the breakthru product for men.
If your wryers want some unusual stories about agency life in the sixties,
I 'll be happy to share.

To which I respond: COME ON ... IT'S A TV SHOW! We are still in the exposition stage -- meeting the characters and establishing conflicts and plot points. Does anyone want to give this show time to develop other than me? And, by the way, this isn't supposed to be a documentary. It's not about how 1960 really was. It's about how we thought it was, and I expect the show to use this context to discuss issues of sex, race and other social attitudes.

I also expect the show to be less about 1960 and more about 2007. Although it's easy to sit around and watch the casual racism and sexual harassment and feel like things have really changed, I'm thinking that things haven't changed as much as we'd like to believe. Is it a set-up? Where is this show going? I'm curious and I hope enough of you out there give it a chance.

Stay Tuned!

TIVO Alert! "Mad Men" To-nite!

AMC's new MCM drama Mad Men starts tonight at 9 Central. The buzz is good. Mi amigo Robert Philpot is raving about it. Will it make me forget The Sopranos? Give some Eames loungers, bullet bras and decent plots lines and you're on your way!

Stop-Motion Green Giant

Those old Jolly Green Giant ads I remember from the 1970s were kind of cool. This one from the 1950s ... it's just kind of scary.